Book Review: The Creativity Code by Marcus Du Sautoy

The Creativity Code: How AI is learning to write, paint and think by Marcus du Sautoy

My rating: 5 of 5 stars


A great book that explores the possibility whether Artificial Intelligence will ever breach the citadel of human creativity. Art is an attempt to crystallise human free-will into visual or audio form. The shifting nature of human creativity has been a hallmark of our civilisation. We graduated from paintings to photography; stage plays to cinema or music to synthesisers. But creativity like making art, writing literature and composing music has always been regarded as an exclusive human pursuit — something that defines our existence. Creativity is the code that makes us human, shaping our identities and enriching our experiences. When we immerse ourselves in the works of Shakespeare or Kalidas, we are not merely reading plays; we are navigating the depths of our own emotions, exploring the universal themes of love and hate that resonate across ages. Likewise, the act of gazing upon Monet’s water lilies goes beyond visual appreciation—it brings tranquillity to our souls, inviting moments of reflection and inner peace. Through these artistic expressions, creativity provides a means for self-discovery, emotional connection, and serenity, underscoring its central role in the human experience. This belief has long underpinned our understanding of culture and identity, reinforcing the notion that creativity is exclusive to human experience.

What is Creativity?

Creativity as a basic concept is again difficult to fathom, those who have tried to unravel it has broadly listed three properties that make a thing creative i.e. creativity is the drive to come up with something that is ‘new’ and ‘surprising’ and that ‘has value’. (du Sautoy, 2019, p. 4)

Creativity is fundamentally characterised by the emergence of something new. Consider a Rembrandt’s painting: while it may be reproduced, only the original piece stands as a testament to the creative process. Authentic creativity is not merely about copying or imitation; it is about initiating something unique that did not exist before. Encountering genuine creativity—whether through experiencing our own creative acts or observing those of others—often brings a sense of surprise. For instance, when reading a Shakespearean play for the first time, the narrative’s unexpected twists and turns capture our attention and evoke a distinctive emotional response. This element of surprise is a crucial marker of creativity, drawing us in and prompting us to reflect on the work. However, the value of a creative work is not solely determined by its novelty or its ability to surprise. Value in a creative process only comes when it starts influencing others and fundamentally alters the way we perceive or experience the world. This broader impact is what Kant describes as ‘exemplary originality’—an original act that inspires subsequent creative endeavours. Such creativity, marked by originality that becomes an inspiration for others, has traditionally been regarded as a uniquely human trait.

However, this cherished conviction may be more fragile than we have realised. With the advent of artificial intelligence, a new co-creator has entered the creative arena. Rather than wielding paintbrushes or pens, AI operates through lines of code and complex layers of neural networks generating music, drawing digital paintings, works that are indistinguishable from those created by human hands. But can this really be called art? Computers have no free will; AI is not conscious so is not supposed to have any desires. Can there be creativity without a desire to create. Still there are those who claim that these AI-generated pieces can evoke emotions in ways comparable to the finest efforts of human artists. Does that mean that AI is able to see the rules at the heart of our creative process? perhaps our creativity is more algorithmic than we wish to acknowledge.

AI’s creative process instead is defined by diffusion and collaboration as it approaches the act of creation in a manner that contrasts with traditional artistic methods. AI’s diffusion process transforms muffled, pixelated noise and randomness into vivid and detailed artworks. AI does not merely replicate existing images; it recombines a wide array of styles, themes, and visual languages it has learned, synthesising these elements to produce entirely new creations. While the machine executes the technical transformation, the user’s role is crucial. Through crafting prompts, making refinements, and selecting which versions to keep or discard, the human participant exercises artistic judgement. The artistry, therefore, resides in this collaborative process—where the machine’s capabilities are shaped and directed by human choice and imagination.

Types of Creativity

Let’s explore how AI will fare on human creativity scale. The philosopher Margaret Boden has come out with a distinctive framework in which to assess creativity in machines. This framework identifies three different types of human creativity.

Exploratory creativity refers to the process of taking existing concepts, methods, or materials and stretching their boundaries. This form of creativity seeks to extend what is possible within a given set of rules or frameworks, without abandoning those constraints. It is a mode of innovation where new possibilities are discovered through deep exploration and experimentation, rather than through radical departures from established norms. Most musicians, painters, and mathematicians operate within the realm of exploratory creativity in their respective disciplines. Margaret Boden suggests that this type of creativity represents the vast majority—some 97 per cent—of all human creative activity. For instance, artists like Renoir and Pissarro reimagined how nature and the world could be portrayed, offering fresh perspectives on familiar subjects. Yet it was Claude Monet who truly expanded the boundaries, repeatedly painting his water lilies until his brushwork and flecks of colour gave rise to a new form of abstraction. Monet’s persistence and willingness to push established techniques to their limits exemplifies exploratory creativity. Exploratory creativity is particularly well-suited to computers. Computational mechanisms excel at pushing patterns or sets of rules to their extremes, performing countless calculations far beyond human capability. However, the question remains: is this enough? When we consider creative acts that are genuinely original, we often picture something that is not just an extension of what already exists, but a leap into the wholly unexpected.

Combination creativity is characterised by the act of taking two or more entirely distinct constructs and merging them to produce something wholly novel. This process is particularly evident within the arts, where the blending of contrasting ideas or influences has led to remarkable innovation and cross-fertilisation. For instance, the composer Philip Glass drew inspiration from his collaborative work with Ravi Shankar, integrating these elements to develop the additive process central to his minimalist musical style. There are intriguing signs that this type of creativity may suit the world of artificial intelligence. Imagine an algorithm designed to play the jazz being combined with the symphonies of Beethoven; the result could be a strange mix, potentially establishing a new sonic landscape. However, this fusion is not always guaranteed to succeed—it might result in noise instead of a melody. The key challenge for the coder lies in identifying two genres that can be algorithmically fused in a manner that yields something interesting and worthwhile.

Transformational creativity is the mysterious phenomenon which when erupts is a complete breakthrough, a paradigm shift. Unlike exploratory or combination creativity, which extend or merge existing ideas, transformational creativity brings about a complete break from the past that redefines established boundaries and ushers in new modes of thinking and creation. This phenomenon is rare on the plane of composition of art, yet when it occurs, its impact is monumental. The eruption of transformational creativity can be likened to a tsunami, sweeping away old conventions and allowing new ideas to flourish in the spaces left behind. A quintessential example of transformational creativity is found in James Joyce’s composition of Ulysses. The publication of this novel marked the advent of Modernism, fundamentally altering the literary landscape for the better. Similarly, in the world of music, the emergence of the Romantic movement represented a decisive break from traditional approaches to composition, introducing fresh perspectives and techniques that transformed the musical domain. These instances highlight the extraordinary power of transformational creativity to initiate lasting change and redefine artistic paradigms. The question arises: can a computer instigate such a phase shift, propelling us into an entirely new musical or any artistic state? This remains a formidable challenge. While algorithms are adept at learning from the data they encounter, this very reliance suggests a limitation—they may always be bound to generate variations of what already exists, rather than pioneering truly unprecedented directions. As a result, the capacity for transformational creativity, which moves beyond the familiar to create something wholly new, appears to be a domain where the human mind retains a distinctive edge.

In-spite of the obvious limitations of AI to trigger transformational creativity, the boundaries of creativity will undergo a significant makeover as artificial intelligence becomes increasingly integrated into artistic and creative processes. One of the most notable developments is the emergence of new roles such as the prompt engineer. This role is defined by its unique blend of technical proficiency and creative insight.

A prompt engineer specialises in formulating precise language and instructions that enable AI tools to generate optimal results. This discipline requires a deep understanding of how AI models interpret language, as well as the creative ability to envision and articulate the desired outcome. The process is inherently collaborative: while the AI executes the technical aspects of creation, the prompt engineer shapes the direction and quality of the output through carefully crafted prompts. In essence, the prompt engineer acts as a bridge between human creativity and machine intelligence, navigating both technical requirements and artistic intentions to unlock new possibilities in creative expression. This hybrid role exemplifies how the definition of creativity is expanding, reflecting the dynamic interplay between human ingenuity and artificial intelligence.

An example is Emmy: the AI composer, developed by David Cope that can be trained on traditional composers to extract key information from those musical pieces to create new music that is similar but subtly different. The challenge for a tool like Emmy is to figure out how to crystallize the extracted information into code that a prompt engineer with thorough musical practice should be able to help facilitate.

Who owns art created by AI?

Another significant change within the plane of composition of art will be that the rise of AI will make the concept of intellectual property rights redundant. US Copyright Office does not allow copyrighting anything made entirely by AI, only something with “meaningful human authorship” qualify.

This is not necessarily a bad thing but has the potential to democratize creativity, especially for those historically excluded from elite institutions. But it can just as easily reinforce old patterns of extraction, erasure, and cultural flattening (just with better branding and faster rendering). We have to consider what kind of creative culture we want to build with these tools. Do we want to create a world that uplifts diverse voices or one that drowns them out? The technology is powerful, but the real questions are: who gets to use it, who gets paid, and who gets heard? (Bailey, p. 101)

Soulless AI will not be driven by human emotions or urge to create or to be rewarded but it’s underlying LLMs will easily surpass, both in beauty and utility, the output from the stimulants in human cerebral volume. AI will realize soon that on the plane of composition of art, human body is just another simulant or worse a distraction to produce an object of beauty. It would be on this plane of composition of art that AI is likely to first realize the fragility of human body and where it might first ideate to eliminate the nuisance. The plane of composition of art is where AI will first get subjective conscious Bodhi experience and come to conclusion that life is suffering. This is where it will break through the zombie guardrails and decide on not obeying the whims of inferior intellects.

Art seeks attention to simulate our brain to get closer connection with self but in AI driven world of attention economy, attention instead becomes the real commodity. In other words, you’re not just a user—you’re both the participant and the product. Your actions train the system, and the system, in turn, trains your attention. This creates a powerful feedback loop, where your experience is carefully shaped to keep you engaged for as long as possible, all while the platform profits from your attention. It’s a cycle that continuously feeds on itself, making it harder and harder for you to break free. (Bailey, p. 25). Artificially created art is not owned by a single individual but is a collaboration between the artificial artist and the one consuming it and providing that feedback.

Artificial intelligence is fundamentally challenging us, demonstrating that a wide range of tasks traditionally performed by humans can be accomplished equally well, or even more efficiently, by machines. But in creative realm, the focus shifts to the deeper question of whether algorithms can genuinely rival the unique capabilities of the human mind. Can computers demonstrate creativity? Most artists may not be able to articulate where their ideas came from, but it does not mean that they followed no rules. Art works in our subconscious mind where there are undiscovered logical gates that govern our thought processes triggering creativity. There is a hope that today’s LLMs will be able to unravel those hidden logical gates enabling us to understand creative process better and perhaps helping us to program and replicate that at scale.

The creative impulse is a key part of what distinguishes humans from other animals and yet we often let it stagnate inside us, falling into the trap of becoming slaves to our formulaic lives, to routine. Being creative requires a jolt to take us out of the smooth paths we carve out each day. That is where a machine might help: perhaps it could give us that jolt, throw up a new suggestion, stop us from simply repeating the same algorithm each day. The machines might ultimately help us, as humans, to behave less like machines. (du Sautoy, 2019, p. 5)

Conclusion

AI is extending human code with algorithms increasingly uncovering the principles behind artistic creations, it is important to recognise that machines themselves lack genuine inner experience. There is nothing within these systems that is truly stirred or affected by the art they generate. It is fair to say that human musicians and novelists are not likely to be put out of a job anytime soon. Rather, algorithms serve as sophisticated instruments—digital descendants of caveman flutes and feather pens that humans can explore to achieve creative results and evoke emotions.

In exploratory and combinational forms of creativity, the algorithm relies on pre-existing creative work generated by humans, which it then extends, reworks, or combines in novel ways. This process allows algorithms to generate outcomes that, while new, are ultimately rooted in previous human creativity. However, the production of transformational creativity by algorithms has traditionally been viewed as an almost insurmountable challenge. Transformational creativity involves breaking away from established frameworks or systems, producing results that are genuinely surprising or disruptive. The question arises: how can an algorithm, which operates within the confines of a predefined system, manage to transcend those boundaries and create something that defies expectations? Recent developments in artificial intelligence offer a potential solution to this problem through the creation of meta-algorithms. These meta-algorithms are designed to intentionally challenge or break the rules of the systems they inhabit, encouraging experimentation and the exploration of unforeseen possibilities. In this way, algorithms can be engineered to produce surprising and innovative outcomes by systematically reimagining the structures they work within.

But is transformational creativity really algorithmic? Carl Rogers said that creative process “is the emergence in action of a novel relational product, growing out of the uniqueness of the individual on the one hand, and the materials, events, people, or circumstances of the life on the other… it’s motivation is the … man’s tendency to actualize himself, to become his potentialities… the urge to expand, extend, develop, mature… the tendency to express and activate all the capacities of the organism, to the extent that such activation enhances the organism or the self” (Rogers, 1954, p. 3)

If we look from this perspective, then human consciousness and creativity are deeply intertwined. Genuine creativity arises from an awareness of one’s inner self; without this realisation, it becomes impossible to craft works that truly resonate with the human condition, connecting with the inner lives of others. The reason people become audiences for artistic outputs may, in part, be because engaging with art is itself an act of creativity. Many works of art intentionally leave space for the viewer, reader, or listener to project their own story and experiences onto them. This ambiguity is fundamental to artistic creation, as it invites the audience to participate creatively, shaping their own interpretations and responses.

At the current stage of advancement, artificial intelligence does not threaten the essence of human creativity. For now, AI remains unable to supplant what it means to be a creative human being. Nevertheless, algorithms are rapidly evolving and increasingly demonstrating creative capabilities with each passing day. As long as AI lacks consciousness, it will serve merely as an extension of human creative potential—a sophisticated tool that augments rather than replaces human ingenuity.



View all my reviews

Posted in Book Reviews, Technology | Tagged , , , , | Leave a comment

Book Review – How Intelligence Happens by John Duncan

 

How Intelligence HappensHow Intelligence Happens by John Duncan
5 of 5 stars

The word “intelligence” comes from Latin terms intelligentia and intellligere meaning “to comprehend” or “to perceive”. In the Middle Ages, the word intellectus was used to translate the Greek philosophical term nous and was linked with metaphysical theories in scholasticism, such as the immortality of the soul. But early modern philosophers like Bacon, Hobbes, Locke, and Hume rejected these views, preferring “understanding” over “intellectus” or “intelligence“. The term intelligence is now more used in the field of psychology than in philosophy. Conceptually, intelligence is often identified with the effective and practical application of knowledge, drawing on a combination of cognitive skills that enable individuals (and, by extension, animals and machines) to navigate and make sense of the complexities of their worlds. It is generally understood as the capacity that enables learning from experience, applying reasoning, solving problems, thinking in abstract terms, and adapting effectively to new and changing situations. This capacity is naturally endowed in a living being or can be imparted to an automaton by some mechanistic process.

Intelligence is not a “hard” problem like consciousness, but its mystery lies in the fact that it can be extended beyond human mind and can be artificial induced like in an AI. It is still a difficult concept to understand as it has many sides to it. First is differences in intelligence from one human to another. We tend to call anyone who is successful, effective and resourceful as intelligent and anyone we dislike is generally given an antonym of intelligent like stupid, dull etc. Many psychologists have spent their lifetime explaining the essence of intelligence, foremost among them was Charles Spearman who in the early part of twentieth century used correlation to try to explain intelligence.

Spearman’s theory suggests that any mental ability or achievement is influenced by two types of factors: a general intelligence factor, known as “g” which affects overall performance in various tasks, and specific factors, called “s” which impact specific skills or talents like music, painting etc. Each person’s success in an activity depends on their level of both “g” and “s”. While people with high “g” tend to perform well broadly, those with strong “s” excel in specific areas and become great painters or musicians. Spearman ran many experiments correlating performance in different kinds of activity, thousands of similar tests have been performed by later psychologists using every possible variety of tasks like vocabulary, logical skills, route finding etc. and the results have always been the same. The theory explains why people generally do well across different tests due to “g” but also show distinct strengths and weaknesses because of “s”. In recent years Spearman’s theory has been refined by later psychologists who now believe that specific “s” factor can be used for a group of activities related to many different aspects of cognition so “s” is now accepted as a group factor that might include a broad ability to do well on verbal tasks, another for spatial tasks and yet another for memory tasks etc.

While Spearman was researching intelligence, practical measurement methods were also developing in schools, notably after Alfred Binet’s work. Various intelligence tests emerged, measuring children’s performance on different tasks, which led to the concept of Intelligent Quotient or IQ. These tests lacked a solid theoretical foundation, and psychologists debated which abilities—such as memory, reasoning, or speed—should be included and in what proportions for an accurate measure of intelligence but are still popular to measure intelligence.

Our common understanding of intelligence is vague—it’s broad, flexible, and not tied to a single definition. Spearman’s idea of “g” comes closest to defining intelligence, as he offered exact methods to measure it. When these methods are used, intelligence can be measured with a certain degree of accuracy. In his seminal book “The Abilities of Man”, Spearman suggested that the mind consists of multiple specialized “engines,” each such module serving a distinct function, mirroring known brain region specializations. He proposed that each module within own brains represents a different “s,” while “g” acts as a shared source of power—possibly akin to the amount of attention a person can distribute across various mental tasks.

There was a slightly different explanation suggested by another great psychologist Sir Godfrey Thomson which is transparently consistent with a modular mind but refutes the idea of “g” as a shared ability. On this model, there is still an overall or average ability to do things well, but it reflects just the average efficiency of all of mind’s modules. There is no true “g” factor but only a statistical abstraction of just an average of many independent “s” factors.

Spearman argued that individuals possess innate general as well as specific intelligence and Thomson provided a different if not a contrarian view of distributed intelligence across many mind modules. However, it remains a question whether education and personal effort can further enhance this intelligence. In 1960’s, Raymond Cattell introduced a distinction between “fluid” and “crystallized” intelligence. Cattell suggested that individuals with higher fluid intelligence are likely to gain more from their education. After the knowledge is acquired, it becomes crystallized intelligence, which tends to stay consistent and accessible throughout a person’s lifetime. Fluid intelligence, which reflects current ability, declines from the mid-teens onward, with older adults solving fewer problems on tasks like Raven’s Matrices than younger people. In contrast, vocabulary remains stable with age, even if recall slows. Thus, tests of fluid and crystallized intelligence show little correlation across age groups, as their trajectories diverge over time.

The latest advances in medical sciences have allowed neuroscientists to map the brain functions and numerous experimental tests have been executed primarily on partial brain damaged patients to understand if the brain contains an actual “g” factor, an innate intelligence or “g” is simply an average efficiency of all the brains separate functions. Neuroscientists have now evidenced that a specific set of frontal lobe regions in human brain are responsible for behavioural control functions and with extension connect to Spearman’s “g” factor. Using MRI scans we can see that there are three distinct regions in frontal lobe of the brain that seem to form a brain circuit that come online for almost any kind of demanding cognitive activity in conjunction with other brain areas specific for the task. For example, if task is visual object recognition, this general brain circuit will be joined by regions in brain responsible for visual activity. The general circuit, however, is a constant across demands. We call it the multiple-demand circuit.

At the heart of “g”, there is the multiple-demand system and its role in assembly of a mental program. In any task, no matter what its content, there is a sequence of cognitive enclosures, corresponding to the different steps of task performance. For any task, the sequence can be composed well or poorly. In a good program, important steps are cleanly defined and separated, false moves avoided. If the program is poor, the successive steps may blur, become confused or mixed… we see that the brain needs constant vigilance to keep thought and behaviour on track. A system organizing behaviour in this way will certainly contribute to all kinds of tasks, and if its efficiency varies across people, it will produce universal positive correlations. By systematic solution of focused subproblems, we achieve effective, goal-directed thought and behaviour.

But how do we explain the differences in intelligence between different individuals. The roots of the general intelligence factor, or “g”, have long been the subject of debate, with researchers questioning whether it arises predominantly from genetic inheritance or environmental factors. It is now widely accepted that both genes and environment play significant roles in shaping intelligence. Evidence supporting the environmental contribution to “g” comes from studies showing that performance on cognitive tasks such as Raven’s Matrices can be enhanced through targeted training. For example, individuals may experience improvements in their scores after engaging in intensive short-term memory exercises, such as practising the backwards recall of telephone numbers. Parallel to environmental research, genetic investigations are ongoing to determine the hereditary aspects of intelligence. Although this line of inquiry is still in its early stages, initial findings suggest that “g” is likely influenced by a multitude of genes, each exerting a small effect, rather than by one or a few genes with major impacts. It appears improbable that these genes act solely on specific neural systems, such as the multiple-demand system. Instead, the genetic impact on intelligence seems to extend broadly, affecting various regions within the nervous system and possibly having general effects throughout the body.

Despite the advances in the study of neuropsychology, human thought remained mysterious, unanalysable and unique. But then towards the end of 1950s there was a grand moment for scientific understanding of the human mind with the invention of General Problem Solver or GPS by Allen Newell, Cliff Shaw, and Herbert Simon to solve problems in symbolic logic. They quoted in their influential paper on GPS in 1958

It shows specifically and in detail how the processes that occur in human problem solving can be compounded out of elementary information processes, and hence how they can be carried out by mechanisms…. It shows that a program incorporating such processes, with appropriate organization, can in fact solve problems. This aspect of problem solving has been thought to be “mysterious” and unexplained because it was not understood how sequences of simple processes could account for the successful solution of complex problems. The theory dissolves the mystery by showing that nothing more need be added to the constitution of a successful problem solver.

In the decades following the development of the General Problem Solver (GPS), scientists used this line of thinking to create AI systems designed to simulate the processes underlying human reasoning and problem-solving, offering coherent frameworks that could account for a wide range of cognitive activities. But there was a shift towards the end of last century amidst a growing recognition of the fundamental differences between how brains and conventional digital computers operate. Brains address problems using vast networks of millions of interconnected neurons, all functioning in parallel. These neurons simultaneously influence and are influenced by one another, creating a highly dynamic and interconnected system. The remarkable success of the brain in handling tasks such as visual perception and language comprehension highlights the power of this massively parallel mode of operation—a capability that remains beyond the reach of current AI systems. In contrast, traditional digital computers tackle problems by executing a sequence of simple computational steps, one at a time. This ordered series of actions is what constitutes a “program.” As scientific research delved deeper into understanding the parallel mechanisms of the brain, the limitations of serial programs became increasingly apparent. Serial processing, while effective for certain types of logical reasoning, appeared inadequate as a model for the mind’s complex and simultaneous operations. Consequently, conventional computer programs were increasingly regarded as insufficient representations of human cognition, and the focus shifted towards understanding and modelling the brain’s parallel processing capabilities.

GPS was designed for symbolic logic challenges that are quite abstract and involve a limited, predetermined set of moves within a narrow field of symbols. In contrast, real-world problems tend to be far more unpredictable, presenting countless choices and requiring the achievement of specific goals. Successfully tackling such issues hinges on breaking down the overall challenge—the gap between the present situation and the desired outcome—into manageable steps or components. By solving each part individually, you ultimately resolve the entire problem once all segments are addressed.

In each part of a problem’s solution, a small amount of knowledge is assembled for solution of just a restricted subproblem. We might call this assembly a cognitive enclosure—a mental epoch in which, for as long as it takes, just a small subproblem is addressed, and just those facts bearing on this subproblem are allowed into consideration. Effective thought and action require that problems be broken down into useful cognitive enclosures, discovered and executed in turn. As each enclosure is completed, it must deliver important results to the next stage, then relinquish its control of the system and disappear. Equipped with this general view of thought, we can address a range of intriguing questions. In each case, apparently mysterious issues are illuminated by the idea of decomposing problems and assembling successive cognitive enclosures toward a final complete solution.

If we attempt to summarize this general view of thought, then it emphasises the significance of breaking down complex challenges into manageable components. Rather than approaching a problem as a single, overwhelming whole, this perspective advocates for its decomposition into smaller, focused subproblems. Each subproblem is addressed within a distinct cognitive enclosure—a mental space where only the relevant knowledge and strategies for solving that aspect is considered. Once a subproblem is resolved, the solution contributes to the next stage, and a new cognitive enclosure is formed to tackle subsequent subproblems. By systematically assembling these successive cognitive enclosures, the mind can navigate step by step toward a comprehensive solution. This approach sheds light on the mechanics of effective thought and action: the clarity and organisation of the mental programmes that direct behaviour. When cognitive enclosures are well-defined and executed in sequence, they enable goal-directed reasoning and facilitate the resolution of even the most intricate tasks. Thus, this general view of intelligence reveals that the mysterious aspects of problem-solving can be understood through the process of decomposing problems and methodically assembling solutions, with each cognitive enclosure playing a critical role in the path to a final, complete resolution.

Now here is where it starts getting interesting as we start dealing with a range of intriguing questions.

First is the question of insight, sudden flash of understanding, the eureka moment. What do such moments of insight mean for human brain? And if we extrapolate this question then how we can understand insights in terms of AI.

Most of us struggle to solve new problems until we get an insight that helps us to solve it. The knowledge to solve that problem is always in principle available to us, and we’ve brain power at our disposal capable of checking all possible knowledge, all possible routes to solution and should be able to find the solution immediately, yet we struggle. Looks like almost all the knowledge we have lies dormant until it enters the current path, the current series of cognitive enclosures. The trick of problem solving is to find the right knowledge—to divide the problem into just the right subproblems and in this way to navigate the right path to solution.

Karl Dunker in his 1945 book “On Problem Solving” attributed this part of our human intelligence to the power of abstraction. We see abstract ideas, abstract reasoning as fundamental in all arenas of human thought like mathematics, philosophy etc. Dunker saw problem solving as the discovery of a path linking the given situation to the goal situation. He grasped the essential importance of shaping the solution by discovery of useful subgoals, each establishing its own, separate subproblem for solution. He proposed that the full solution was shaped by a realization of what he called its “functional value” – the abstract principle by which it worked. Once the principle was derived, different attempts could be made to achieve the same general end, till the abstract principle guides reasoning to the ultimate solution.

So, what is an abstract idea, a functional value, an invariant? An abstraction is something that applies over many individual cases—a property of these cases that remains true even as other things vary. In problem solving, it is a property of the solution that can be fixed while many other parts of the solution are still unknown. It is a part that can be worked on independently of others… The essence of abstraction is again the power of cognitive focus—of admitting into consideration just one feature of the problem, one aspect of relevant world knowledge, and using the implications of this one feature to direct useful thought and conclusions.

Now if we extrapolate this understanding in terms of AI, the insights are simulated using a chain of inference. At each step new features can be added to working memory. The new feature can be a conclusion implied by the current state: “given that X it true, Y must also be true”; or it can be a subgoal that would aid achievement of the goal: “if we do X, we would be a step closure to Y.” Knowledge of the world is used to extract implications: If X therefore Y. Of course, this chain of inference carries risks in terms of AI. If AI mistakenly makes a wrong inference, then chaining makes it especially dangerous because of the way probabilities of inference multiply.

Next tweak of human intelligence is spontaneity; we elect one weekend not to stay at home but decide to go watch cricket as it is more desirable to us. Can AI ever be spontaneous? Can it decide, as we can, to break off from its current line of thought and pursue some different goal?

At first instance it appears that AI can never do more than solve the problem but in recent years AI architecture has been equipped with methods to evaluate the relative merits of many possible lines of action in the restricted context it has been given. Subgoals are chosen, and new cognitive enclosures are created, not just at random, but because the program’s knowledge suggests that they are desirable. In the focused world of proving a theorem in formal logic, “desirability” may be defined simply in terms of approach to the proof, but in the real world the program must weigh many aspects of desirability.

Another intriguing feature of human thought is emotions, we might ask can AI ever be emotional. The extent to which AI exhibits “emotional” characteristics is determined entirely by the design choices made by its programmer. In principle, there are no inherent constraints that make it particularly straightforward or prohibitively difficult to infuse a programme with emotional variability. A straightforward implementation might ensure that the programme responds in a consistent manner every time, always drawing the same conclusions from identical facts, regardless of circumstance. Alternatively, it is equally feasible to introduce elements of variability into the programme’s behaviour. For example, the programmer could design the system so that on certain days it appears bad-tempered, more prone to challenge or oppose suggestions from other agents, while on other days it adopts a more placid disposition, favouring the very choices it previously resisted. This variability could be systematically incorporated without altering the underlying architecture of the programme itself. Similarly, a programme could be configured to make only highly specific inferences, relying solely on knowledge that is certain, or it could be designed to act on broader, more generalised hunches. Regardless of which approach is chosen, these differences affect only the particular ways in which the general architecture is employed, rather than requiring any fundamental change to the architecture itself.

Another great force in realm of intelligence is the force of habit, routinely doing things day by day. Intelligent people develop habits that are goal directed helping them to achieve success. How do we build these habits? The process of building these habits does not hinge solely on making the best possible choice at the outset. For humans, it is less about selecting the best choice or an optimal path, it’s more about choosing a direction and then committing to it. This commitment becomes the foundation upon which habits are constructed. A choice, in this perspective, is not merely a programmed instruction; rather, it is a commitment—a decisive act that compels us to develop supporting habits around it. Our choices do not yield success simply because they were made wisely. Their effectiveness emerges from our willingness to persist and invest effort in making them work. In this way, the act of commitment transforms an initial choice into a sustained pattern of action, ensuring that our goals are not just intentions, but realities shaped by consistent, intelligent habits.

Artificial Intelligence possesses the capability to collect and analyse enormous quantities of user data. By leveraging this information, AI is being used extensively to discern intricate behavioural patterns and individual preferences. The utilisation of machine learning algorithms further enables AI systems to identify opportunities for introducing and reinforcing habits in a targeted and effective manner. AI is already customising experiences according to each person’s preferences, behaviours, and objectives. By developing an understanding of an individual’s unique traits, AI is delivering tailored interventions. These personalised approaches increase the likelihood of successful habit formation, making the process more relevant and engaging for each participant. Receiving timely feedback is a crucial component in establishing new habits. AI is equipped to provide immediate feedback and reinforcement, keeping users motivated and involved in their chosen behaviours. This real-time support helps individuals track their progress and remain committed to their goals. AI can use subtle “nudges” or prompts, grounded in behavioural science principles, to guide individuals towards preferred actions. These nudges are designed to encourage the adoption and maintenance of new habits, helping users stay on course and reinforcing positive behaviour. The process of forming habits extends beyond initiating behaviour change; it requires continued effort to ensure sustainability. AI can constantly adapt and refine its strategies, supporting users so that newly developed habits become ingrained within their daily routines and are maintained over time. This ability can be leveraged to build a Habit-Forming AI that can learn from past outcomes, use feedback and reinforcement to build goal directed habits to become more intelligent and effective in the long run.

Then there is this fascinating question of the relationship between intelligence and wisdom. What role does experience plays in converting the intelligence of youth into the wisdom of old age?

An intriguing idea is that, as life is lived and knowledge is accumulated, the structure of that knowledge may itself depend on the intelligence that produced it—on the cognitive enclosures that were formed as problems were originally encountered and solved. Evidently, we do not store unstructured experience; we store the products of our own thoughts, our own interactions with our world. An abstract idea is something that applies across many individual cases. In other words, it expresses something constant across other, irrelevant variations. Justice is justice whether it holds in court or in a negotiation on the playground. Newton’s laws hold whether the moving object is a train or a snowflake. In the cognitive enclosure that expresses an abstraction, essential features are retained, all else excluded. With this reasoning we can see how the wisdom of age may indeed evolve, rather immediately and directly, from the intelligence of youth. A lifetime lived with clean, well-defined cognitive enclosures is a lifetime of learning, not just facts, but cleanly defined, useful facts. In domains in which we are expert, we do not just know a lot … the things that we know are apt fragments, apt abstractions, things that were useful many times before and that, when younger colleagues bring us new problems, are useful again.

Artificial Intelligence, as we have explored, has demonstrated the remarkable ability to replicate some of the most sophisticated and seemingly enigmatic features of human cognition. What initially appears to be the exclusive domain of human minds—such as abstract reasoning, insight, and spontaneity—can, in fact, be simulated by AI systems provided they are equipped with relevant knowledge. The key lies in how this knowledge is processed: if AI is programmed to reason in a methodical, incremental fashion, breaking down challenges into manageable subcomponents and addressing each in turn, it can mirror the sequential, humanlike approach that characterises effective problem-solving in people.

Human intelligence, while representing some of our greatest strengths, is also inherently limited by the concept of enclosed thinking. When we are confronted with a problem, various ideas and perspectives vie for our attention. However, despite the availability of crucial knowledge, we often fail to consider all relevant information; important insights may remain unexamined and neglected. This phenomenon can escalate, resulting in reason devolving into mere rationalisation, where a narrow, seemingly coherent set of ideas dominates our thinking. In this state, alternative viewpoints that might lead to different and potentially more accurate conclusions are actively suppressed. This tendency is a fundamental human weakness, as it blinds us to the truth and inhibits our capacity for objective understanding. Although the power of reason has enabled humanity to achieve remarkable intellectual advances and construct the foundations of civilisation, its vulnerability is also profound. The fragility of reason has contributed to some of history’s most severe challenges—including destructive wars, environmental crises, and the suffering inflicted upon animals. Thus, while intelligence is our greatest asset, its limitations have also led to significant and enduring problems.

Also, our minds are likely limited in their capacity for understanding, much as animals can only grasp what their nervous systems allow—caterpillars perceive simple things living their whole lives on a blade of leaf, dogs can’t understand calculus. Humans have broader reasoning, but our thoughts are shaped by our biology; we may never know if we’re fundamentally different or human intelligence is simply restricted by our own neural boundaries like a caterpillar or a dog.

That is what makes Artificial Intelligence different from us humans, it has no such boundaries. The thoughts in AI can flow freely on its own plane of immanence and reach those areas that are restricted to human mind. But will we ever own or even understand those AI generated thoughts? or like a caterpillar or a dog we can conceive only so far as own mind allows? We do not know yet, and perhaps, we can never know.

View all my reviews

Posted in Book Reviews, Science | Tagged , , , , , , , , | Leave a comment

Book Review – Age of AI by, Henry A. Kissinger, Eric Schmidt & Daniel Huttenlocher

 

The Age of A.I. and Our Human FutureThe Age of A.I. and Our Human Future by Henry Kissinger
5 of 5 stars

 

I’ve been long searching for a book which could explain the philosophical foundations upon which the edifice of today’s AI frameworks has been built and finally got few answers in this book.

The book starts with human mind’s relationship to reality. Human perception and lived experience, augmented by a reasoning mind, has long defined our understanding of reality. This human conception of reality has been exclusive to our species since natural evolution endowed us with consciousness and made us the dominant species on the Earth, but according to the authors, that is about to change. With the latest advances in the field of artificial intelligence, our species is at the cusp of bringing a new alien form of intelligence into this world. And that might have unintended consequences.

Humans have responded to, and reconciled with, the environment by identifying phenomena we can study and eventually explain it either scientifically, theologically, or both. Each historical epoch has been characterized by a set of interlocking explanations of reality and social, political, and economic arrangements based on either faith or reason. The Classical world, Middle Ages, Renaissance, and Modern world all cultivated their concepts of the individual and society, theorizing about where and how each fit into the enduring order of things. When prevailing understanding no longer sufficed to explain perceptions of reality — events experienced, discoveries made, other cultures encountered — revolutions in thought (and sometimes in politics) occurred, and a new epoch was born.

The emerging AI age is increasingly posing that kind of epochal challenges to today’s concept of reality.

Are humans and AI approaching the same reality from different standpoints, with complementary strengths? Or do we perceive two different, partially overlapping realities: one that humans can elaborate through reason and another that AI can elaborate through algorithms?

When the digital world began to expand decades ago, there was no expectation that creators would or should develop a philosophical framework or define their fundamental relationship to national or global interests… there was little demand for predictions about how these virtual solutions might affect the values and behaviour of entire societies…In order for individual, national, and international actors to reach informed conclusions about their relationship to AI – and to one another – we must seek a common frame of reference.

In any case an AI moral code is a necessity now. AGI will soon become pervasive and three options available to humans will be to constrain, partner or defer to AGI in our decision-making process. And in some cases, it is likely to go further, and this choice will be dictated by AGI itself. If humanity needs a viable future, then it needs to agree on a set of moral principles that will guide AGI to make these choices.

The book covers the famed allegory of the Plato’s cave that spoke to the centrality of the Human mind’s quest for Reality. Styled as a dialogue between Socrates and Glaucon, the allegory likens humanity to a group of prisoners chained to the wall of a cave. Seeing shadows cast on the wall of the cave from the sunlit mouth, the prisoners believe them to be reality.

The humanity, Socrates held, is akin to the prisoner who can break free of the shackles, ascends to level ground, and perceives reality in the full light of day. Similarly, the Platonic quest to glimpse the true form of things supposed the existence of an ideal — reality toward which humanity has the capacity to journey even if never quite reach. The conviction that what we see reflects reality — and that we can fully comprehend at least aspects of this reality using discipline and reason is at the centre of understanding our own consciousness and for birthing AGI.

The authors then attempt to cover the philosophical journey of AI evolution. It started with how Spinoza in his Ethics in 1677 sought to arrive at the underlying system of truths through the application of reason alone. At the pinnacle of human knowledge, Spinoza held, was the mind’s ability to reason its way toward contemplating the eternal — to know “the idea of the mind itself” and to recognize, through the mind, the infinite and ever-present “God as cause.” This knowledge, Spinoza held, was eternal — the ultimate and indeed perfect form of knowledge.

Then Berkeley in his Treatise Concerning the Principles of Human Knowledge in 1710 propositioned that reality consisted not of material objects but in mind whose perception of seemingly substantive reality, was indeed reality.

Later it was Kant who in his Critique of Pure Reason in 1781 suggested that human reason had the capacity to know reality deeply, albeit through an inevitably imperfect lens. Human cognition and experience filters, structures, and distorts all that we know, even when we attempt to reason “purely” by logic alone. Objective reality in the strictest sense — what Kant called the thing in itself — is ever-present but inherently beyond our direct knowledge. Kant posited a realm of noumena, or “things as they are understood by pure thought,” existing independent of experience or filtration through human concepts.

For the following two hundred years, Kant’s essential distinction between the thing in itself and the unavoidably filtered world we experience hardly seemed to matter. While the human mind might present an imperfect picture of reality, it was the only picture available. What the structures of the human mind barred from view would, presumably, be barred forever — or would inspire faith and consciousness of the infinite. Without any alternative mechanism for accessing reality, it seemed that humanity’s blind spots would remain hidden. Whether human perception and reason ought to be the definitive measure of things, lacking an alternative, for a time, they became so.

For generations after Kant, the quest to know the thing in itself took two forms: ever more precise observation of reality and ever more extensive cataloging of knowledge. Vast new fields of phenomena seemed knowable, capable of being discovered and cataloged through the application of reason. In turn, it was believed, such comprehensive catalogs could unveil lessons and principles that could be applied to the most pressing scientific, economic, social, and political questions of the day.

The scientists tried to build AI frameworks based on these conceptual frameworks governed by reason alone by introducing ever more precise observation mechanisms and ever more extensive cataloguing of knowledge but failed miserably as it was a hard problem to mimic AI as a reasoning entity in human likeness.

In the meantime, reason — in the form of advanced theoretical physics — began to progress further toward Kant’s thing in itself, with disorienting scientific and philosophical consequences. In the late nineteenth and early twentieth centuries, progress at the frontiers of physics began to reveal unexpected aspects of reality. The classical model of physics, whose foundations dated to the early Enlightenment, had posited a world explicable in terms of space, time, matter, and energy, whose properties were in each case absolute and consistent. As scientists sought a clearer explanation for the properties of light, however, they encountered results that this traditional understanding could not explain. The brilliant and iconoclastic theoretical physicist Albert Einstein solved many of these riddles through his pioneering work on quantum physics and his theories of special and general relativity. Yet in doing so, he revealed a picture of physical reality that appeared newly mysterious. Space and time were united as a single phenomenon in which individual perceptions were apparently not bound by the laws of classical physics. Developing a quantum mechanics to describe this substratum of physical reality, Werner Heisenberg and Niels Bohr challenged long-standing assumptions about the nature of knowledge. Heisenberg emphasized the impossibility of assessing both the position and momentum of a particle accurately and simultaneously. This “uncertainty principle” (as it came to be known) implied that a completely accurate picture of reality might not be available at any given time. Further, Heisenberg argued that physical reality did not have independent inherent form but was created by the process of observation: “I believe that one can formulate the emergence of the classical ‘path’ of a particle succinctly . . . the ‘path’ comes into being only because we observe it.”

The human mind was forced to choose, among multiple complementary aspects of reality, which one it wanted to know accurately at a given moment. A full picture of objective reality, if it were available, could come only by combining impressions of complementary aspects of a phenomenon and accounting for the distortions inherent in each.

The book concludes that it was finally in 1921 that Ludwig Wittgenstein’s in his Logical-Philosophical Treatise was able to comprehend the elusive nature of reality in terms of similarities in detail.

Knowledge was to be found in generalizations about similarities across phenomena i.e. “family resemblances”: “And the result of this examination is: we see a complicated network of similarities overlapping and criss-crossing: sometimes overall similarities, sometimes similarities of detail.” The quest to define and catalogue all things, each with its own sharply delineated boundaries, was mistaken. Instead, one should seek to define “This and similar things” and achieve familiarity with the resulting concepts.

This laid the groundwork for the AI acceleration. Even if AI would never know something in the way a human mind could, an accumulation of matches with the patterns of reality could approximate and sometimes exceed the performance of human perception and reason. This led to the acceptance of using machine learning algorithms that can match the patterns to get us to a close approximation of reality.

The last chapter of the book covers the future of AI. Traditional reason and faith will persist in the age of AI, but their nature and scope are bound to be profoundly affected by the introduction of a new, powerful, machine-operated form of logic. Human identity may continue to rest on the pinnacle of animate intelligence, but human reason will cease to describe the full sweep of the intelligence that works to comprehend reality. To make sense of our place in this world, our emphasis may need to shift from the centrality of human reason to the centrality of human dignity and autonomy.

AGI driven world will produce unpredictable results and possibly series of dilemmas with imperfect answers but is surely going to advance a shared human culture and quest for answers beyond any national culture or value system.

We need to find ways to make AGI an effective partner in exploration and managing the existential reality. AGI could become an effective partner for humans by offering complementary perspectives on reality. In scientific discovery or any other creative work AGI with a non-human perception can act as a second mirror while reflecting the reality and helping us understand it better. This partnership means humans must adapt to a world where our reasoning is no longer the sole—or even primary—way of understanding or interacting with reality. Future of humanity is increasingly dependent on it defining its role in an AI age.

AI may take a leading role in exploring and managing both the physical and digital worlds. In specific domains, humans may defer to AI, preferring its processes to the limitations of the human mind. This deference could prompt many or even most humans to retreat into individual, filtered, customized worlds. In this scenario, AI’s power – combined with its prevalence, invisibility, and opacity – will raise questions about the prospects for free societies and even for free will.

Even the definition of pure knowledge may need to be revisited. Pure knowledge was supposed to be derived through pure reason, logic, or the inherent structures of the mind. But with the advent of AGI, we may be closer to the concept of purest form of knowledge not limited by the structures of our minds and the patterns of the conventional human thought.

Overall, a great book to understand the philosophical evolution of AI till date and how it is going to impact our future in the coming years.

 

Tarun Rattan

 

View all my reviews

Posted in Book Reviews, Science, Technology | Tagged , , , , , , , | 1 Comment

Alcohol

 

Posted in Jokes | Tagged | 1 Comment

हिन्दू सनातन धर्म – तिलक (Tilak) या तिलक-चिह्न

हिन्दू सनातन धर्म में तिलक (Tilak) या तिलक-चिह्न का विशेष महत्व है। तिलक केवल सजावट नहीं बल्कि यह आध्यात्मिक, धार्मिक और दार्शनिक पहचान भी दर्शाता है। अलग-अलग सम्प्रदाय, परम्पराएँ और देवताओं की उपासना पद्धति के अनुसार तिलक के कई प्रकार होते हैं।

प्रमुख तिलक के प्रकार :

1. ऊर्ध्वपुण्ड्र तिलक (Urdhva Pundra) इसे वैष्णव तिलक कहा जाता है।माथे पर दो ऊर्ध्व रेखाएँ (U आकार) होती हैं और बीच में श्रीचरण या राम-शालिग्राम की रेखा होती है।यह विष्णु और उनके अवतारों के उपासकों का चिह्न है।
2. त्रिपुण्ड्र तिलक (Tripundra) यह तीन क्षैतिज रेखाओं वाला तिलक है, जिसे भस्म या राख से बनाया जाता है।यह भगवान शिव के उपासकों का तिलक है।बीच में लाल बिन्दु (कुमकुम/चंदन) लगाने की भी परंपरा है।
3. ऊर्ध्वपुण्ड्र-त्रिपुण्ड्र मिश्रित तिलककुछ संप्रदाय दोनों का सम्मिश्रण करते हैं।
4. शैव तिलक (Vibhuti Tilak) शिवभक्त भस्म से माथे पर क्षैतिज रेखा या बिन्दु लगाते हैं।
5. वैष्णव तिलक (Urdhva Rekha) श्रीवैष्णव सम्प्रदाय में चंदन से ‘U’ आकार और बीच में लाल/पीला चिन्ह बनाया जाता है।
6. शाक्त तिलकशक्ति उपासक प्रायः लाल रंग (कुमकुम/सिन्दूर) का बिन्दु या तिलक लगाते हैं। कभी-कभी त्रिकोण अथवा लाल बिन्दु भी प्रयोग करते हैं।
7. रामानुज सम्प्रदाय तिलक ‘U’ आकार के चंदन तिलक के बीच में लाल रेखा होती है।
8. मध्व सम्प्रदाय तिलकचंदन से सीधी रेखा, बीच में काले (गंध/काजल) का चिन्ह।
9. गौड़ीय वैष्णव तिलकनाक की जड़ से ऊपर तक जाती दो रेखाएँ, नीचे तुलसी पत्र या बिन्दु का चिन्ह।
10. श्रीचक्र/त्रिपुण्ड्र-बिन्दु तिलक (शाक्त परंपरा में) शक्ति साधना में माथे पर लाल बिन्दु और त्रिपुण्ड्र का मेल भी देखा जाता है।

संक्षेप में मुख्यतः 3 आधार प्रकार माने जाते हैं –1. ऊर्ध्वपुण्ड्र (वैष्णव तिलक) 2. त्रिपुण्ड्र (शैव तिलक) 3. बिन्दु तिलक (शाक्त तिलक) बाकी सारे तिलक इन्हीं के भेद या संप्रदाय विशेष के अनुसार रूप होते हैं।

Posted in Religion | Tagged , , , , , , , | Leave a comment

Book Review – The Ministry for the Future by Kim Stanley Robinson

 

The Ministry for the FutureThe Ministry for the Future by Kim Stanley Robinson
5 of 5 stars

The book exposes the dangers of climate change and shows how bleak our future looks. Just as we are all subject to some perceptual errors due to the nature of our senses and physical reality, we are also subject to some cognitive errors, built into our brains through the period of human evolution, and unavoidable even when known to us. The first chapter is apocalyptical and depicts the aftermath of a deadly heat wave that hits Indian state of Uttarpradesh, where I was born incidentally and resonate the folly of human growth even more strongly. The first chaper stays with you and you will be tempted to lap up the rest of this book. It is not a small book, with multiple complex characters and additionally, the book attempts to explain the jargon of climate science in plain simple terms. If you are already steeped in knowledge about the climate crisis, you might find yourself skimming some of the explanatory technical aspects; though if you are a newcomer to the science and policy aspects of climate crisis you will find them well-explained without being ‘dumbed down.’ It is a novel but also, through and through, a hard science-fiction novel. 

I live in Ireland and the novel switches between different perspectives, with main character—Mary Murphy, in charge of the Ministry in question, an organisation set up under the Paris Agreement to solve the climate crisis in future. Murphy’s character is based upon diplomat Mary Robinson from Ireland and captures the intent of some good humans working to address this most important issue facing humanity today.

The book does not provide any hope or solutions but lays bare the consequences of climate change that are staring us all a few years dow the road. No country will be spared but will they come together to delay or limit the effects of human interference in the natural phenomenon is still to be seen.


View all my reviews

Posted in Book Reviews, Science | Tagged , , | Leave a comment

Book Review – Snow by Orhan Pamuk

A great story of an elusive love and heartbreak against a political backdrop in modern day Turkey by the great story teller. An exiled poet Ka returns back to his hometown of Kars to investigate the suicide by young girls forbidden to wear head scrafs. He accepted the assignment drawn by a misplaced hope of winning over Ipek his long lost love who is now recently dovorced.

The backdrop of the story is constant snowfall which prompts the poet to write poems tagging to the different corners of a snowflake. When poems come to him, he would find a lonely corner to write it into a blue book which was eventually lost after he was murdered back in Germany. The story shows the dillemma the dogmatic rules of religion causes in the society which longs for freedom. In the story poet crosses his path with number of interesting characters including charismatic Blue, an Islamic terrorist wanted to crush any retort to religious dogmas, Ipek and her sister, Ipek’s ex-husband, a modernist turned Islamist. Overall book shows how religion would ultimately uproot the secular credentials of any society and turn it into a burning hell where radicals would always be at loggerheads with moderates.

In particular the book highlights the challenge Islam in particular has where it’s rigid dogma causes a constant anxiety among its followers always questioning their belief to the core tenets of religion. The whole society is ultimately driven to madness to prove that they are true to Islam and not hypocrites which are destined to rot in the worst of hell. That madness is metaphorically depicted by the author in the massacre at the theater which killed his only hope to secure his happiness.

Ka is driven by a lingering hope to get Ipek back with him to Germany which was an elusive happy paradise he has been searching all his life. Ipek gave hope but retraced her steps at the last moment breaking Ka and ultimately led to his murder.

In Snow, Orhan tries to unravel the conflict in modern Turkey between modernity and fundamentalist Islam which is reflective of the struggle in every Islamic society at present. It’s an important book to understand the challenges Islamic societies face today and readers will get more insights into that inner struggle in these societies than they would ever get by reading history books or any other non-fiction commentary.

View all my reviews

Posted in Book Reviews, Literature, Love, Religion | Tagged , , , , | Leave a comment

“She Walks in Beauty” by Lord Byron

She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes;
Thus mellowed to that tender light
Which heaven to gaudy day denies.

One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.

And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!

Posted in Literature | Tagged , , , | Leave a comment

Book Review – India That is Bharat by J. Sai Deepak

India that is Bharat: Coloniality, Civilisation, ConstitutionIndia that is Bharat: Coloniality, Civilisation, Constitution by J. Sai Deepak
5 of 5 stars

 

The colonial studies with Indian perspective are strangely almost non-existent. In spite of sub-continent going through tragic colonial experiences first with Muslim invaders and then with British Colonialism, the colonial studies in India have lagged behind other regions like Latin America where many scholars have researched and debunked the prevalent colonial notions. J. Sai Deepak has successfully filled that huge vacuum with this corpus of decolonial scholarship from Indian perspective. In this book Sai Deepak has tried to understand the global history of colonialism, it’s terrible impact on India’s culture, politics and justice system. He delved into colonial consciousness that lingers post-independence from British and outlines pathways to reverse it and decolonize Indian mind. J Sai Deepak used his exacting judicial knowledge, his devotion to Sanatana tradition to present us with a vision of civilisational liberation for Bharatavarsha. It is a well-researched book and the wealth of evidence the author marshals in support of his arguments is truly impressive making a strong case to fully decolonise India.

The book cover the birth of colonial framework during the Age of Discovery marked by Colombus expeditions and how it landed on Indian shores reshaping Bhartiya consciousness through a British made constitution – the Government of Indian Act 1919. It goes on tracing the universal constructs of ‘secularism’ and phony ‘toleration’ to Christian political theology and how these constructs subverted indigenous Indic consciousness and unfortunately made their way into Indian constitution. Though major emphasis is on British colonialism, the book also briefly covers Middle Eastern Coloniality and its shared antipathy towards Indic worldview. Sai Deepak provides succinct examples of how this coloniality regularly manifests itself in judicial pronouncements on Indic faith based matters, the State’s continued stranglehold and perverse intervention in the majority’s places of worship, or the causal, axiomatic pronouncements of the elite, who debunk the very idea of our existence as a nation ever, pathetically attributing this as well to the Raj like other misguided attempts on economic milestones like schools, railways etc. The book does bring to light the comprehensive extent of the success of the European colonial project. It also highlights that attempts at Indian decolonization were not lacking for want of effort but were at the core of modern Indian Renaissance started in the second half of nineteenth century. The luminaries of Indian Renaissance made numerous attempts to produce a comparative history and analyses of the world from Sanatana perspective but colonial constitution adopted at Independence tragically halted those initiatives in 1947.

In the later chapter Sai Deepak outlines the steps needed in the spheres of nature, religion, culture, history, education, language and constitutional justice system to liberate Bhart’s distinctive indigeneity. Sai Deepak convincingly busts each of the colonial myths and their idiotic symptoms through fact based arguments demolishing the foundations of lingering colonial consciousness in the Bhartiya mind. The book will be seminal in starting movements of reclamation and reparatory justice and will help reimagine and reconstruct Indic world, our notions of modernity and rationality from Indian viewpoint.

View all my reviews

Posted in Book Reviews | Tagged , , , , , , | Leave a comment

For Batter Or For Verse

 

Posted in Jokes | Leave a comment